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Gillette, co-pastor of Overbrook Presbyterian Church, is the news commentator of hymnology, having turned current events into lyrics for more than 300 hymns over nearly 20 years.With borrowed melodies often familiar to churchgoers, her spiritual deliberations on subjects from gun violence, health care and immigration to natural disasters and the environment have been sung around the world in sanctuaries, on college campuses, in Bible school classrooms, and during street protests.About eight men came out but the woman told the clergyman that she was not interested in any of them, prompting him to say that her eyes had been covered by supernatural forces.He said, “The reason why you are just moving around without finding a man is because they put a mask to cover your face.The light-complexioned lady sporting a blue native attire, moved round different sections of the packed auditorium while the pastor followed closely behind.After insisting that she had not found a man of her choice to take as husband, the prophet then asked men interested in taking her as wife to file out.
Gillette’s topicality and plain-spoken language, she said, are refreshingly far-removed from “that old stained-glass way of talking.” “We love our old hymns,” Johnson said, “but they don’t necessarily speak to modern social justice issues.” Gillette began writing lyrics in the late 1990s, while daydreaming in a synod seminar.When the woman responded that she was yet to marry, the pastor giggled before asking her when she wished to marry.Immediately the woman answered that she would wish to be married on that very day, Fufeyin asked her to quickly go round the auditorium to pick a husband.This material, and other digital content on this website, may not be reproduced, published, broadcast, rewritten or redistributed in whole or in part without prior express written permission from PUNCH.Kristin E, Holmes is a general assignment reporter in the suburbs. She has covered police, courts, religion, municipal government, and obituaries. In the Monday morning quiet of the sunroom in her Philadelphia home, she sat down with a stray piece of computer paper and penned lyrics to a new hymn lamenting not only the violence, but the hollowness of words absent action.